Insect art: Framed whip spiders (Amblypygi)

I have been covering a lot of insect-inspired art on this blog recently. It makes me excited; there are so many beautiful examples of artwork that incorporate insects and other arthropods into their theme. Just by reading some of the comments on the previous posts I got a gazillion new ideas for topics to write about (thank you). This time, however, I want to take the opportunity to tell you about something that I have been working on. The title for this post is a little misleading, because this is not really ”insect art”, but more like “arachnid art”.

One of the first presents I got from my parents when they realized their kid was fascinated with insects was a frame with several tropical butterflies. This frame, along with others that joined in subsequent years, decorated the wall of my room for many years. They became a part of my identity, telling every visitor what I was all about. Throughout the years my focus shifted from butterflies to spiders and scorpions, and then to beetles and other arthropod groups. Yet those framed insects remained on the wall, and even though I left that house many years ago they are still hung there to this very day.

Framed arachnids, whip spiders and a tarantula. Read on to learn what is so special about these.

Framed arachnids, whip spiders and a tarantula. Read on to learn what is so special about these.

I got so used to hearing wows every time someone noticed the spectacular sunset moth, the blue morpho butterfly, or even the less colorful dobsonfly, that when one day a friend told me she didn’t like those frames, it caught me by surprise. I asked her why, and she replied, “An animal had to die so you can enjoy this”. And by all accounts, she was right.
That reply stuck with me. I do not consider myself much of a collector, but when I do collect there is always a conflict. Is this necessary? Is this going to help anyone in the future? In my travels I have seen many dead insects, tarantulas and scorpions being offered as home decor for sale in city markets. It is shocking to realize these animals are probably harvested from their natural habitats by the hundreds for this purpose. To be fair, some butterfly and beetle species are being farmed and thus the ecological impact on their natural populations is insignificant. However, insect frames still require a dead specimen to begin with.

A framed rhinoceros beetle (Eupatorus gracilicornis) that I made. You might not believe it, but this specimen was in very poor condition when I received it.

A framed rhinoceros beetle (Eupatorus gracilicornis) that I made. You might not believe it, but this specimen was in very poor condition when I received it.

In the past I have sinned in trying to make my own version of such frames. In all honesty, when done correctly, they do look nice and add some character to a room. Almost like an old natural history lithograph. I did this with dead insects from my own cultures, or with specimens I already had in my collection. But recently I was wondering if there is another way to achieve the same result, one that does not require dead specimens. Something more sustainable.

Me presenting whip spiders to the general public at Bug Day Ottawa 2016. Framed specimens can be used for education along with live ones.

Me presenting whip spiders to the general public at Bug Day Ottawa 2016. Framed specimens can be used for education along with live ones.

Whip spiders, or amblypygids, are rarely offered as framed specimens, but when they do, they usually look very bad and have an unflattering, unnatural pose. I mean, look at this one for example. It looks horrible. Now look at how much this specimen costs. It makes no sense to me that an animal gave its life to be preserved in such a horrendous way, accompanied with such a hefty price tag. This is also coming from a company that claims to farm its framed specimens, however I highly doubt they farm any of their arachnid specimens. Large arachnids take years to reach their adult size, and it would not be very profitable to farm them just for the purpose of framing them later. Moreover, dead arachnids (and many insects too) often lose their vibrant colors. There has to be a different way to do this. And there is: during my time keeping amblypygids, I noticed that their empty molts retain their appearance even after many years, and when arranged properly they look like a copy of the living animal. I made some exemplars for use in public outreach and the response was phenomenal. When I presented the prepared molt next to its still-living parent, people refused to believe they are both the very same specimen.

Whip spider (Heterophrynus batesii) fresh after molting in the wild. The molt (on the left) is a hollow empty shell, but looks just like the live arachnid.

Whip spider (Heterophrynus batesii) fresh after molting in the wild. The molt (on the left) is a hollow empty shell, but looks just like the live arachnid.

Heterophrynus batesii molts being prepared for framing

Heterophrynus batesii molts being prepared for framing

Whip spiders molts, work in progress before framing. Oh, and that tarantula? That is a molt too.

Whip spiders molts, work in progress before framing. Oh, and that tarantula? That is a molt too.

Working with molts is not easy and resembles taxidermy in many ways. It requires deep understanding of the animal’s natural appearance, as well as how to stabilize its now-empty limbs. It took me many months of practicing until I finally mastered the technique of making a hollow arachnid look alive. The best thing about it – no animal was sacrificed during the preparation, and in fact the very same animal that produced the molt is still alive and kicking.

Framed whip spider (Paraphrynus raptator). In the background, framed molts of two additional species (Heterphrynus spp).

Framed whip spider (Paraphrynus raptator). In the background, framed molts of two additional species (Heterphrynus spp).

Now this begs the question – what am I going to do with these frames? I enjoy looking at them a lot actually. They add something authentic to my living space. I thought about putting up a page to offer them for sale at some point. The only problem seems to be availability, because whip spiders usually molt only once a year. I will need to salvage every single molt if I want to continue making more of these.

Framed whip spider (Euphrynichus bacillifer). This is probably my favorite work so far. Small. Simple. Perfect.

Framed whip spider (Euphrynichus bacillifer). This is probably my favorite work so far. Small. Simple. Perfect.

By the way, if you want to hear more about whip spiders and you happen to be in Toronto this weekend, the Toronto Entomology Association and the Royal Ontario Museum are organizing “Bug Day”, an event dedicated to the keeping live arthropods. I will give a short talk on Sunday April 23rd at noon, so please come and say hi.

A moment of creativity: A bite from a wandering spider (Phoneutria)

I think the best way to start this post is right at the end. This is me getting tagged by a wandering spider (Phoneutria boliviensis), one of the most venomous and defensive spiders in the world.

Wandering spider (<em>Phoneutria boliviensis</em>) in mid-bite. Oh, the pain!

Wandering spider (Phoneutria boliviensis) in mid-bite. Oh, the pain!

These spiders possess a potent neurotoxic venom that, if delivered at a sufficient quantity, has the potential to kill an adult human. So, I got bitten and yet I am still alive to brag about this? What is going on?

Things are not always what they seem. This is not a real spider bite. In fact, this is not a spider. This animal is maybe 10% spider. I know one day my twisted sense of humor is going to get me into trouble. I should be careful not to ‘cry wolf’ too many times or I will be left with no friends who care for me.

You might remember that two years ago I encountered a wandering spider (also commonly known as banana spider) under my bed when I visited the Ecuadorian Amazon. That female was guarding her offspring, and what I did not know at the time is that they had already started to disperse from the nest. Some of them found their way into folds in my backpack and hitched a ride with me back home. This happens much more often than you would think. Every day small organisms such as insects, arachnids, snails, and also plant seeds, moss, and fungi find their way into new territories with our help whether we are aware of it or not. Now, there is no need to be alarmed – wandering spiders are not going to spread and take over North America. The vast majority of exotic “traveling” spiders are NOT even wandering spiders, and even if they do pop up every once in a while, the cold winter temperatures and low air humidity will finish them off. In my case, I had a dilemma: to kill the spiders immediately, or to keep them for a while in order to learn more and then donate them for scientific work. I chose the second option. It made more sense to use this opportunity to document this species’ natural history. For example, after two years, even with proper feeding, the spider did not reach its adult stage. They must be long-lived. I should also note that I have a background as a professional arthropod keeper so I knew what I was getting into. This is not something I would recommend to inexperienced hobbyists.

Wandering spider (<em>Phoneutria boliviensis</em>) aka banana spider in my kitchen.

Wandering spider (Phoneutria boliviensis) aka banana spider in my kitchen.

Since then, I have been meticulously following the baby spider, sometimes taking ridiculous photos that depict unrealistic situations. Surprisingly, this species seems tamer than its reputation suggests, but caution is always the key. After a while I started pondering the idea of creating an image of the spider in mid-bite. The original idea was to photograph it during feeding, but then a better idea came up. I waited months. Finally, I had what I needed – a fresh molt.

Wandering spider (Phoneutria boliviensis) molt.

Wandering spider (Phoneutria boliviensis) molt.

Yes, what you see in the photo opening this post is nothing but an empty shell. The spider itself was resting in its enclosure during the time I took the photo. Like I said, things are not always what they seem.

Even though this was not a real bite from a living spider, it was still painful. Those fangs (chelicerae) are extremely sharp, and they have no problem piercing through human skin. If you search online you will find photos of people handling Phoneutria spiders with bare hands. That, in my opinion, is pure irresponsibility and a lack of judgment. I will never, ever let these spiders anywhere near my hands. And neither should you. Learn to respect and admire these majestic animals from a distance.

A moment of creativity: MYN misfires

I recently updated my gallery for the Meet Your Neighbours project with my work from 2014 (if you haven’t checked it already you can see it here). It is great to have such a diverse collection of animals in a single page, and I can proudly say this is my favorite gallery on the website. It is far from being complete, as I still have photos to add, and I plan to continue my contribution to this project. I was also honored to have my gallery featured on Alex Wild’s blog “Compound Eye” in Scientific American.

Contrary to what some people may think, shooting animals on a white background is not as simple as it seems. Like nature photography in general, there is so much that can go wrong. I call these “misfires”, and usually such photos do not exist for too long because I delete them immediately. However, sometimes misfires have interesting results. Not really useful as MYN photos, but maybe still acceptable for artistic values. Here is a collection of common cases when things do not go exactly as planned. I omitted misfires which are purely technical, such as cases where I got the exposure incorrectly or, more embarrassing, when the subject was completely out of focus.

Subject suddenly exiting the frame: Usually happens when I miscalculate the animal’s movements. This sometimes produces interesting results, like in the case of this Blunt-headed Tree Snake (Imantodes cenchoa) from Belize.

Blunt-headed Tree Snake (Imantodes cenchoa), Caves Branch, Cayo District, Belize

“Anyone needs a rope?”


Subject attacking the camera: Many animals are feisty and just want to be left alone. This is often the case with arachnids, crabs and snakes. While a freashwater crab trying to grab the lens is something I would not normally worry about, I do admit I had times when my heart skipped a beat upon seeing my subject charging towards me (not during a MYN shoot though). A nature photographer should always be alert and cautious!

Freshwater crab (Potamon potamios), Golan Heights, Israel

A feisty freshwater crab (Potamon potamios) charging towards the camera


Subject taking off: This is far more common than one might think, especially with beetles and flies. It is nice to actually try getting a decent photo of the insect in flight. However, when working in the field, this will very often be the last photo you snap of the subject, as it is impossible to locate afterwards.

Click beetle (Semiotus sp.), Amazon Basin, Ecuador

Click beetle (Semiotus sp.) in mid-flight


The butt-shot: This issue is well known, especially to wildlife photographers who use trap cameras in the field. You set up your camera, you enter all the correct settings, aim for that perfect angle that gives you the most detail of your subject, and at the exact moment you take the shot, the subject turns away from the camera. And stays like this. Forever.
Some animals have a peculiar tendency of constantly turning away from the camera even if you follow their movement. I cannot help but wonder if this has anything to do with IR light-metering beam coming out of the camera/flash.

Jewel wasp (family Chrysididae), Ontario, Canada

Jewel wasp showing her good side


The mirror reflection: This usually happens with very small animals moving about until they reach the edge of my diffusion material. Specifically in my setup this creates a strange reflection that I really do not like, but sometimes the results are interesting.

Deer tick (Ixodes scapularis), Massachusetts, United States

Deer tick (Ixodes scapularis) meets its reflection


The photobomb: When you get something included in the photo that you initially did not want. I admit I wanted to photograph the two tadpoles of green toad (Pseudepidalea viridis) together, but I was aiming for a clearer separation between them. Many tadpoles tend to cluster together at rest, so this was a uneducated attempt on my part. The bloated tadpole always pushed itself on top the smaller one like a magnet and it was impossible to separate them. By the way, both tadpoles are unhealthy: the thin tadpole is harboring an internal parasite, whereas bloated one has accumulation of liquid in its body.

Tadpoles of the green toad (Pseudepidalea viridis), Center District, Israel.

This tadpole gives the term ‘photobomb’ a new meaning


Here is a different example of photobombing a shoot – I was getting ready to photograph this harvestman (opiliones) from Ecuador, when a Gordian worm (Nematomorpha), an internal parasite, started coming out. A rare case in which you “get two for the price of one.” Interestingly, the host was still alive after the parasitic worm came out, and quickly slipped from the acrylic and vanished into the vegetation!

Gordian worm (Nematomorpha), an internal parasite, exits from a harvestman host. Mindo, Ecuador

Getting two animals for the price of one. Sort of.


Subject is too big for current setup: Nothing is more annoying then finding out your gear is just not good enough. When I travel overseas I only have a small acrylic sheet with me, obviously this limits its use for animals below a certain size. I thought it was enough to capture this stick insect flashing its wings, but I got frustrated fairly quickly – the insect was just too big.
By the way, the stick insect has an external parasite (tick fly, Forcipomyia sp.) attached, so this is also a case of “two for the price of one”.

Stick insect displaying its wings for defense. Mindo, Ecuador

This stick insect is too big!


Subject is light-sensitive: What happens when you try to photograph an animal that is hypersensitive to light against a blown out white background? Craziness ensues. Too often this means that the animal “goes nuts” and poses unnaturally, constantly looking for a place to hide. I try to avoid this as much as possible, and to minimize the stress to the animal. In the case shown below I actually liked the effect of the soil centipede lifting its body in search for something to grab onto. It almost looks like it is praying.

Soil centipede (Geophilidae), Carmel Mountain Range, Israel

Soil centipede (Geophilidae), Carmel Mountain Range, Israel


Subject is too fast: Photographing fast animals is extremely challenging, and cockroaches are no exception. Most of them can move easily on smooth surfaces, not to mention some can fly well. Add to this the fact that they are sensitive to light, and you’ve got a subject that will almost never sit still during a MYN shoot. These Egyptian desert cockroaches (Polyphaga aegyptiaca) from Israel took almost an hour to photograph. The image below is a composite of my failures to get one in the middle of the frame. In the end, I had to be creative and decided to chase the insect with the camera looking through the viewfinder until I got it in the frame.

Egyptian Desert Cockroaches (Polyphaga aegyptiaca), Central Coastal Plain, Israel

“You just had to move, didn’t you?!”


Oh, almost forgot! Subjects with an attitude: Not the anthropomorphic interpretation of forced unnatural animal poses (becoming unjustifiably popular recently), but more of a “slip of the tongue”, if you know what I mean.

Schneider's skink (Eumeces schneideri) Carmel Mountain Range, Israel

Schneider’s skink (Eumeces schneideri) making faces

A moment of creativity: cartoon cells in real-life

Very frequently I find myself staring at an object and seeing something else, something that may only be understood by me because of my background and past experiences. In such events it is frustrating to try and explain to others why I find that object so exciting. But sometimes I manage to get the message through.

While enjoying a morning in my apartment I came across something I thought was pretty cool. It reminded me of the French-Japanese animated television series Once Upon a Time… Life produced by Procidis (those unfamiliar with the program, click here). I eagerly followed every episode of this show as a kid, and did it again when the rerun was on. Looking back, I think it is incredible how much information can be squeezed into an educational TV show for kids (the same can be said another popular TV series from the same studio – Once Upon a Time… Man).
Anyway, back to my story – what I saw was a real-life representation of the way cells were depicted in the program. Without thinking too much, I grabbed my camera and tried to photograph what I have just seen.


Cartoon cells. Or are they?


The similarity to the cells illustrated in the cartoon series is astonishing to me. The “cells” were actually flowers from one of my Caladium bicolor plants:


Unopened male flowers of Caladium bicolor


To make the flowers red, I fired a flash through one of the semi-transparent leaves, which added some color.


Caladium bicolor flower and leaf




A Moment of Creativity: Naked mole rats

I decided to start a new section in this blog called “A Moment of Creativity”, where I will post about fun creative ideas I come up with, usually when I am busy doing something important. Some of these ideas might not necessarily be related to science or photography. Besides, it was not the sole purpose of this blog anyway. I do not regard myself as a master of Photoshop, but every once in a while I like to test what I can produce and sharpen my skills. It does not make me an expert in image editing. A great deal of these attempts are deleted immediately. Others come out as interesting creations. I will post those here.

Naked mole rats (Heterocephalus glaber) are small underground rodents native to East Africa. They are considered the only known eusocial mammal, having different reproductive casts (and no, humans are not eusocial. Unless you want to leave all the baby-making in your neighborhood for a single person). They are also the longest-lived rodent of their size, and can sometimes reach the age of 30 years or older. Naked mole rats have an impressive resistance to tumors, thanks to a specific compound they synthesize more efficiently than other cancer-prone animals. In addition, their ribosomes produce fewer aberrant proteins, which can explain the absence of errors causing most tumors. For these reasons, and because they do well in small colonies in captivity, they are kept as lab animals for research against cancer.

Fortunately, I had an opportunity to visit the colonies kept at University of Toronto Mississauga in 2012, because the technician who took care of them was also a member of the lab I was at, and kindly agreed to give me a tour.


Naked mole rat (Heterocephalus glaber). It is quite cute actually.


I brought along some of my photography gear, but soon found out that photographing naked mole rats is not an easy task, as they are somewhat sensitive to light and almost never sit still. I did not plan to do anything with the photos I took, but was happy to find out at least one of them was used in an article about the research (very cool, guys!).

One of the mole rats had its jaws wide open in a photo and I remember I said this reminded me of a scene from the film “Pink Floyd: The Wall”, especially due to the animal’s external appearance: it has many skin wrinkles and almost no hair. It looked just like a small naked human to me.



Meh. I am not sure that the result delivers the gloomy atmosphere of “The Wall”. To me it looks like the mole rat is praying at the Wailing Wall. But as I was working on this image, I could not help noticing how similar naked mole rats are to the film interpretation of the Dark Lord, He-Who-Must-Not-Be-Named. So I set out to find some Harry Potter posters I can play with.



Well, this didn’t exactly turn out the way I wanted. I think I made the head too small, and the fact that there is a snake crawling calmly near a potential food source does not seem… hmmm… reliable. So I had to try something else.



Aha! Now we’re talking! Lord Voldemolerat himself. This could have easily been the real movie poster. Maybe for the next film Voldemort will return as an incarnation of a naked mole rat? And cure cancer at the same time??